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The American Society of Cinematographers Color Decision List (ASC CDL) is a format for the exchange of basic primary color grading information between equipment and software from different manufacturers. The format defines the math for three functions: Slope, Offset and Power. Each function uses a number for the red, green, and blue color channels for a total of nine numbers comprising a single color decision. A tenth number, Saturation, specified in the Version 1.2 release, applies to the R, G, and B color channels in combination.


The ASC CDL was developed by the ASC Technology Committee, a combined group of cinematographers, post-production engineers, and other motion picture industry professionals.


Although the basic controls of most color correction systems are similar, they differ somewhat in specific implementation and detail. The ASC CDL is a common standard that color correctors can translate their proprietary settings to and from. The ASC CDL functions are mathematically orthogonal primitives that can be used to represent vendor-specific corrections. ASC CDL correction functions also in some cases can appear in the user interface and be used directly.


The ASC CDL allows color corrections made with one device at one location to be applied or modified by other devices elsewhere. For example, a cinematographer filming on location can create a color correction with a small portable device, sending the ASC CDL color correction to a colorist in post-production to use as a starting point for final color correction. To communicate "looks" usefully in this fashion, calibrations, viewing environments, devices, and any output transforms (e.g. film look) must be managed very carefully; in general, they should be identical at origination and subsequent viewing.

Some systems supporting ASC CDL

Assimilate Scratch color corrector

Autodesk finishing, VFX and colour grading systems

Avid editing systems

Blackmagic Design Resolve colorgrading system

Blender (Color Balance node)

Codex Digital File-based recording solutions

Colorfront On-Set Dailies, Express Dailies and Express Live

FilmLight Baselight color correction system

DFT, Digital Film Technology Weiterstadt Flexxity, BonesDailies

Gamma and Density 3cP on-set color correction system

HS-Art Digital DIAMANT Digital Film Restoration Software

Image Systems Nucoda Film Master color corrector

IRIDAS SpeedGrade color corrector

Light Illusion LightSpace CMS

Marquise Technologies M I S T, R A I N

MTI Film CORTEX Dailies, CORTEX Dailies Enterprise Edition

OpenColorIO Open Source color management framework for motion pictures

Pandora PLUTO Display Management and On-Set colour correction System

Pandora Revolution color corrector system

Pomfort LiveGrade Powerful On-Set Solution for Look and Color Management

SGO Mistika finishing, compositing, stereo 3D and colour grading system

Synthetic Aperture Color Finesse

The Pixel Farm PFClean Film Restoration Software and Systems

Thomson Grass Valley BONES Dailies

Workflowers WF_x plugins for color correctors

YoYotta YoYo


See also


SOPSAT - slope, offset, power, saturation